This month it gives me great pleasure to present an interview with
writer Margaret Johnson-Hodge. She has written three books, The Real
Deal, A
New Day and Warm
Hands. Her fourth novel, Butterscotch
Blues, will be released this year. Ms. Johnson-Hodge’s novels
deal with relationships in a very down-to-earth, humorous, frank and
funky kind of style. Her words are rhythmic and paint a jazzy picture
as she takes you through the ups and downs of male/female relationships.
To me she is an excellent writer who churns out page turning stories.
I love her works and hope you will take time to read this interview
and check out each of her books so you can enjoy her works as well.
1) What is your writing background and what made you
want to start writing? An avid reader since the age of
five, when I was twelve I read Maya Angelou’s "I Know
Why The Caged Bird Sings," and it changed my life. I saw the
incredible journey of a little black girl who grew to be this magnificent
woman, who told stories with beauty and truth and grace and I wanted
to do that too, So at twelve, without know much about anything,
I started my first novel. I also began to write poetry, exploring
my own heart and trying to make sense of the world. Later on I took
the "music" of poems and incorporated it into my novel
writing. I always try to hear the music inside my stories.
2) What process did you go through to enter the writing
industry? Was it a difficult journey?
Getting published was a road that started with me thinking it would
never happen to actually being offered my first book contract. I
took a writer’s workshop with a wonderful woman by the name
of Brenda Connor Bey in 1989 In 1993 Brenda made me attend a "Meet
The Agent" affair and as a result I got my first agent. From
1993 to 1996 I went through two agents, thirteen publishing houses
and a ton of rewriting. It was a very exciting time and a very depressing
time as well. I would have editors call me excited about my book
only to have the publishing house pass. I’ve had meetings
with two of the biggest publishing companies out there, did rewrites
to their specification and had my book turned down anyway. Then
my agent disappeared on me for a couple of months and I didn’t
know where she had gone. She eventually contacted me but I knew
then she was not the right person for me. In 1995 I ended our relationship.
I did not have an agent, had no offer, but I kept writing. In 1996
I received a call from on old friend who told me an editor at St.
Martin’s Press was looking for black fiction. I sent a query
letter and could not believe it when I got a letter back. The editor
was Glenda Howard. When she made me an offer, I got a new agent
Neeti Madan, and have been with the both of them ever since.
Getting published wasn’t a difficult journey, but it was
not an easy one either. I’d had endless days where I waited
for the phone to ring and it didn’t. Three years is not a
lifetime but when you just want your "big break", it can
feel like thirty years. I received dozens of rejections letters
in the process, but I just kept on writing, believing that one day
I would sell my first novel and I did.
3) I am a huge fan of your works. I love your style, rhythm,
and how your stories deal with painful relationship issues in a
realistic manner. How would you describe your writing style?
I would describe my writing style as "lyrical." I try
to bring a certain flow into my wording. I am fanatical about being
too wordy and like to drop off words like "He" or "she".
I will write a sentence like "Mya had to get out. Just couldn’t
stay." as opposed to "Mya had to get out of there. She
just couldn’t stay." To me it sounds better. It has rhythm,
that music I look for.
With regard to what I write about, I’m always try to explore
real life with real people in real situations. No knight in shining
armor for my characters. It is much more powerful for someone to
save themselves instead of looking for someone else to do it for
them. It’s unfortunate that I have been penned as a romance
writer because I do not adhere to the genre. I consider myself more
a relationship writer and I’ve had readers hate my work because
it wasn’t a romance novel.
4) What is your goal when writing stories?
My goal is to take a situation and lay it bare. Expose all that
is going on and isn’t. Tell the story in truth, good, bad
or indifferent.
5) Which writers influence your style?
The two writers who influenced me most is James Baldwin and Maya
Angelou. James Baldwin was a prolific genius, and talk about music?
You read his words and you can hear the jazz, fusion, spirituals
and hymnals. There is none greater than James Baldwin when it comes
to laying down the melody of a excellent novel. Maya Angelou influenced
me because after reading her book, it gave me the hope and belief
that I could write too.
6) We are aware that Butterscotch Blues, your first hardcover,
will be released soon. What is this story about?
Butterscotch Blues is the deepest stories I’ve written to
date. The premise is this: What do you when you meet the man of
your dreams, who not only loves you with everything you possess,
but elevates you as a woman, casts off all your personal demons,
loves you like no other has, only to discover he is HIV positive?
That’s what Butterscotch Blues is about. It’s about
meeting the man you wanted forever and finding out that he may infect
you or die soon. Does your heart allow you to leave? If not, how
do you stay?
7) Thinking of your books, who are your favorite characters?
What process do you go through in developing your characters?
My characters are supposed to be like children, I’m supposed
to love them all. But every now and then I get attached to someone.
Carol-Anne was one of my favorites. I rooted for her, cried with
her, prayed with her and hoped for her. Sandy, the lead female in
Butterscotch, is another. I wept with her. My heart just ached as
I wrote the book.
With regards to developing my characters, I play the "what
if" game with my stories. With The Real Deal, I thought "What
if a Sista from Harlem meets a white man from LA? Could she get
with that? Could her black upbringing, black self love and pride
allow her to peel back the curtain and let him in?" A New Day
came from a need to explore secondary characters in The Real Deal.
With Warm Hands I asked myself "Why would a woman jeopardize
her own happiness?" Butterscotch is "How do you walk away
from a man you love with all your heart who is HIV positive?"
8) Based on your experience, what do you love most about
being a writer?
Being able to "go to work" in my pajamas is the best
thing about being a full time writer. Being home for my children,
my husband on his days off and helping out my mother (she’s
84, God bless her heart), are the other. I must take this moment
to say that my biggest supporter is my husband Terence Anthony Hodge.
He gave me his blessings to stay home and write back when I wasn’t
making a dime from my writing. He has been there, behind me all
the way. He is my backbone, the man I love and I am so appreciative
of him.
Okay, back to the question. What I love about being a writer is
I can take a nap when I want, get up late, don’t "go
to work" at all, and don’t ever have to call in sick.
But the flip side of that very very lovely coin is when it’s
just me and my computer and I have to fry my brain to get through
a chapter, or figure out what’s going to happen next and there’s
no co-worker to chat with, break up the monotony, then it gets tough.
But I have the best job in the whole wide world and I am very truly
blessed.
9) Have you been touring in support of Warm Hands? If so,
where will your tour take you?
I will be at my local Borders Bookstore at the end of April, and
have been invited to book clubs to discuss my books. I’m not
certain what is planned for Butterscotch Blues in regards to touring,
but I am happy to say that it will be mentioned in the July issue
of Essence Magazine.
Thanks for taking the time to listen.
Books by Margaret Johnson-Hodge: |