In your debut novel "Not
All Dogs", you’ve written a story that features positive
black males. Who specifically is your target audience for this story?
My target audience is African-American readers, plain
and simple. I don't think there is a segment of our community -
young, old, college-educated or not - that can say they see enough
positive Black male imagery in today's literature. Not All Dogs
addresses that shortage.
Beyond that, the book provides female readers with a better understanding
of Black male complexity. It's an opportunity to look "behind
the mask" and get a better feel for what motivates us, while
reading an entertaining and suspenseful story. Not only that, but
the book has already touched a lot of female readers who buy the
book, enjoy it, then go back to the store and buy it for a man in
their life - son, husband, lover, nephew - because it can help them
get in touch with challenges in their own lives. That's been a great
payoff from my standpoint.
Your book has been out since 1999. What has the author
experience been like thus far?
It's been rewarding, challenging, and confusing. I love to write
and I love to see the impact of my work. I get constant feedback
from readers via e-mail and when I make personal appearances, and
this helps validate my sanity. In other words, [it lets me know]
that I do have something to say and readers want to hear it!
That said, I won't misrepresent the challenges inherent in self-publishing.
Everything depends on you as the author, and for me, the transition
from author to salesman has been difficult. I have help from my
wife, but we both work "day jobs", so progress with the
books is sometimes slower than it would be if I had a major publishing
staff behind me. But I didn't get this far in life by sticking to
what comes easy. I won't stop getting the word out, not until I
know most readers have at least had the opportunity to buy Not All
Dogs.
Was it difficult for you to write in four different male
voices? How did you keep from getting the characters confused? Or
did you do anything specific to make sure their personalities didn't
overlap?
It would have been VERY difficult to get these characters confused.
The four leads are housemates at a historically Black college, but
the similarities end there. Each brother has his own history, musical
and fashion tastes, career aspirations, and personal conflicts.
For instance, you have a character like Brandon the "Choirboy",
who is celibate and wears Dockers slacks and oxford dress shirts,
living across the hall from Larry the "Smooth Operator",
who has a long string of former lovers, a closet full of Armani
suits, and the finest girlfriend on campus! Kind of hard to mix
up those two.
The real secret to keeping them separate was to carefully build
each character before I started writing Chapter One. I came up with
everything from what they were like as children to what their biggest
fears and failures were. In short, I made them real. After that,
there was no way I could mistake one for the other.
To me, O.J. was a very interesting character. Did you purposely
write about a preacher, or did the character just evolve into the
story?
I purposefully wrote about an aspiring preacher because the Black
church is near and dear to my heart. I am a product of the Black
church and have much love for the good it has done in our community.
Unfortunately, our faith in our spiritual leaders has often been
rewarded with mismanagement and fraud. I created O.J. as a full-bodied
example of the internal struggles and past disappointments that
can lead our leaders (present and future) into behavior that contradicts
the very things they stand for.
How is the publication of "Ladies Man" coming
along?
Ladies' Man ... Not my favorite topic these days. To use corporate
terminology, I "accepted the resignation" of the literary
agent who was representing that manuscript. Although I am keeping
it in play with agents and editors as we speak, my focus right now
is on selling as many copies of Not All Dogs as possible. There
will be time to get Ladies' Man published after that.
If you had to do it all over again, what would you do differently
concerning your publishing journey?
The one thing I would suggest to aspiring self-publishers is to
be honest with yourself: There are only two ways to competitively
go about this thing. Either you are a skilled salesperson that will
pursue self-publishing full-time and travel the country to get notice
for your book, or you will have to invest wisely in the services
of professionals who can do some of this for you. It is very difficult
to break through the growing crowd of books by selling only on the
Internet and relying on people to walk into bookstores looking for
your book.
Whichever way you choose, there is no shame. Just set your course
from the start. I have recently adjusted my strategies and feel
it is paying off; however, I could have saved some frustration if
I'd realized earlier that I'm better off letting professionals do
most of my marketing and PR.
In your opinion, what is the greatest thing that has happened
to you since deciding to become a writer?
There really is no one greatest thing yet (not until Oprah comes
calling!). However, it has been very rewarding to see my wife and
family enjoy my writing, and to get constant reviews and feedback
from strangers across the country, who say Not All Dogs is among
the best books they have ever read. That goes a long way when I
get frustrated with other aspects of this publishing game.
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